Aikido demonstration at Japan Matsuri festival

The Japan Matsuri festival took place at Spitalfields market, London on the 19th September 2009. A wide range of cultural art and activities took place all accompanied by delicious Japanese street food and happy helping of Sake.

At the outside martial arts stage I was intrigued to see a demonstration by the London Aikikai Aikido club. Sensei Davinder Singh Bath, a 5th Dan, led the set and I was initially impressed by the thorough warming up of the joints. With Aikido's well known expertise in locks and throws, one would expect these guys to be rather comprehensive in building supple wrists! Certainly there were exercises I felt I may add to my Junbi Undo, or preparatory training.

As the demostration progressed I was wowwed by their suppleness and relaxation - one cannot be flexible whilst stiff.

It was also interesting to note that many of the open handed movements such as strikes came from weapon training. A weapon naturally makes the need to move much more pronounced since there is no empty handed blocking of a sword! Okinawan Karate and Shaolin Kung Fu both emphasise movement and evasiveness and both have links to weapon fighting, so it was wonderful to hear that familiar term - Tai Sabaki or body moving - as being the most important part of an Aikido practitioner's response to an attack. However, unlike Karate's emphasis on powerful striking skills, the Aikido-ka seemed to me to be much more focussed on spatial awareness and the practice movements went beyond the type of contact commonly seen in Kung Fu "sticky hands" or Karate. It was fascinating to see them take this practice to it's limits and I marvelled at how in tune with the flow of movement their entire body had become. There was definately something to take away from it.

Naturally the attention the style placed on balance made me look at their stances. It was interesting to see that they place both feet in a line, something very similar to the way a swordsman might stand. Striking arts like Karate tend to suggest that feet shoulder width apart enables one to attack with maximum power whilst maintaining mobility. It also means that "the gateway" or the point where the stance can be pushed relatively gently and it cannot withstand it, is in a position to 45 degrees from center. That means the stance isn't easy to sweep, however if someone steps in, you may become vulnerable.

Feet in a line makes one wonder if an opponent with sweeping skills like a Judo-ka would present issues since it's harder to hold one's balance to that or a strike that pushes one at 90 degrees - possibly a strong roundhouse kick or mawashi geri. However feet in a line makes other types of evasive manouvre more easy and makes it such that one moving in one one will have to come a full 90 degrees around before the gateway becomes open - no easy task.

I'm not sure that much sweeping is practiced in Aikido, certainly none was shown. It's equally quite hard to envisage an armoured Samurai swinging in a roundhouse if his sword was somehow not available so possibly these considerations were of little concern when the art was formulated and in no way dampened my admiration of what I saw as a fine display of skill. It's simply the way they do things. All martial arts have things that are their greatest strength and all have the areas that are most difficult for them to compete upon.

My personal opinion is that it is a fool who disregards a martial art for it's weaknesses. I watched their display eagerly because their strengths in evasive footwork and redirecting an opponents energy were phenomenal and something I would love to take into my own study. The grace and elegance with which they move is testiment to their mastery of technique for this isn't the type of art that requires the outer aggression of kickboxing nor the sweat of the grappler; the spitefulness of some of the retaliatory techniques is often hidden by it's outer form. I don't think I'd be able to type this today if I'd been exposed to half the wrist locks Sensei Bath put his students through!

So, without further chat from me, here's a thanks to Sensei Bath and his students displaying some excellent Aikido skills in this video below:

Aikido Demonstration at Japan Matsuri 2009 from Misae Richwoods on Vimeo.

My first post and general introduction

Hi there, welcome and thank you for visiting my blog. I'm Dan and I've been fascinated with martial arts myths ever since watching Monkey Magic and The Water Margin as a kid. As a teenager, I was introduced into traditional martial arts and studied under a great many disciplines including Karate (Shotokan, Wado-ryu, Goju Ryu and Kyokushin-kai), Ninjutsu, Jujutsu, Aikido, Kendo, Shaolin Tiger-Crane Kung Fu, Tai Chi and Qigong. I train to this day, settling on Okinawan Goju Ryu Karate as my primary style under the expert guidance of Shihan Morio Higaonna and his IOGKF instructors.

Goju Ryu Karate has it's origins in a style know as Naha-te, Naha being the capital of Okinawa and Te meaning fist, therefore that style was literally the Naha Fist style. In honour of those great masters that preserved traditions for us to learn from today, I call my blog, London Fist and hope it will pay tribute to those who keep the fighting spirit alive through all the dark winters and rainy evenings that Britain throws at them.

All martial arts have something to them and require skill and dedication to practice. To me, the better martial art is not necessarily the one which is the most ferocious but the one is has the greatest depth. It should enable the practitioner to enjoy health over the long term, otherwise what type of self defence is it when we kill ourselves daily in preparation of an incident that may never happen? I also feel a true martial art might help the practitioner develop their character since it requires much devotion and often a certain level of suffering even to become a master of the art. Since martial arts are combat sports, how one learns to deal with stress, suffering and defeat must be clear pointers as to whether one can become truly adept, no?

Legends within martial arts abound. From stories of people defeating gangs single handed to fighters who kill with one strike, it excites the imagination to hear of what is possible on the outer boundaries of human performance. Fighters break solid objects with their empty hands while other masters endure blows so fierce the on-looker cowers away in pain. How true are these stories? Just what is possible in martial arts? And how many people have been able access these secrets? While there are many fight clubs around, they vary immensely in outlook. There are sport oriented styles like the kick boxers and judo students, through to the more esoteric and obscure like the Qi energy moving Shaolin fighters, Aikido-ka and Ninjutsu warriors. I have a very open mind and a lot of background in Chinese metaphysics so over the coming few months I hope to find out more about what is possible as I travel through the back streets and sweaty dojos of London, meeting the people who put put their fists to work on a daily basis to keep the traditions alive. I hope you'll join me, share with me your insights and help preserve the traditional ways of the warrior.